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In February the Visual Effects Society (VES) and American Society of Cinematographers (ASC) held a joint meeting to discuss Image Quality. At the time we wrote that it was clear that “DI and the workflow from image capture to release is not one workflow”. At the VES Production Summit Fred Chandler (Senior Vice President Post Production – Fox) made the point again saying he’s “been in the business 28 years and the color pipeline for every movie is like starting over”. It was with this in mind that we approached Brian Gaffney and Dan Lion from Technicolor Creative Bridge to have a conversation about color workflow. Join us for this podcast as we discuss what people should do to guarantee a smooth process from shoot through final DI. (Pictured is the Technicolor building at Sunset Gower Studios in Hollywood).

From: http://www.fxguide.com/forums/member.php?u=9511